Sophie Turner shows enormous potential as Jean Grey, but director Simon Kinberg fails the sci-fi franchise
Dark Phoenix doesn’t just suck big time. It’s the worst movie ever in the X-Men series. That’s 12 films since the first X-Men in 2000. Even series low points — that’s you X-Men Apocalypse — offered compensations. Dark Phoenix just lies there like a dying fish, futilely flapping about on land while it waits for the inevitable dying of the light. The degree of awfulness is surprising since the man falling into the abyss with this Phoenix is debuting director Simon Kinberg, who has served long and well as the series producer and sometimes screenwriter. Shouldn’t he know these characters best? You’d think.
Related: Real Reason Hugh Jackman’s Wolverine Is Not in Dark Phoenix
Dark Phoenix, set in 1992, is part of the X-Men series [First Class, Days of Future Past, Apocalypse] in which everyone is younger and hotter. That’s James McEvoy in for Patrick Stewart’s wheelchair-bound Professor X and Michael Fassbender doing the honors for Ian McKellen’s Magneto. And there’s rising star Sophie Turner — the immortal Sansa Stark from Game of Thrones — showing enormous potential as Jean Grey, whose mend-bending gifts make her the most powerful mutant. In an early scene, Jean single-handedly stops a NASA space shuttle from exploding in midair.
Such heroic skills are mightily impressive to everyone in her young crowd, including her teacher Beast [Nicholas Hoult] and students Nightcrawler [Kodi Smit-McPhee], Storm [Alexandra Shipp], Quicksilver [Evan Peters] and Jean’s boyfriend Cyclops [Tye Sheridan]. Leading the Jean cheering section is her mentor, the blue-tinted, shapeshifting Raven, played by Oscar-winner Jennifer Lawrence with a strong surge of Times Up. “The women are always saving the men around here,” she says, suggesting a name change to X-Women. That’s so Raven. But the movie does nothing with it.
Instead, Kinberg sticks us with a series of sequences showing Jean at war with herself. She can’t control her mental abilities. As a child, she caused a deadly car crash with her parents because she couldn’t stand hearing mom play Glen Campbell on the car radio. It’s a little extreme, but point taken. Getting close to Jean can be hazardous and in scene after grindingly repetitive scene Kingberg hammers the idea home. Tortured by guilt, Jean goes to the dark side as, yup, Dark Phoenix, prompting a lot of angst and a digital array of shockingly lousy FX.
To add spice, Kinberg introduces another dangerous woman, an alien named Yuk, played by Jessica Chastain with a look of dazed confusion that reflects what we’re all feeling in the audience. Presumably Yuk wants to absorb Jean’s gifts for herself. The feminization of power? That would be a theme worth developing. But the film devolves into a series of crushingly dull diversions in which the two levitate and stare at each other with laser-beam eyes. Really? That’s all this botch job can come up with? Turner had way more fun sticking it to Littlefinger. So did we.
Editor’s picks
More damagingly, Dark Phoenix fails to build even a hint of rooting interest in the X peeps as people. Lip service is paid to these outsiders as outcasts. That’s all. And no one seems more than mildly miffed when under threat from the barely sketched-in world outside. When a major character dies [I’ll never tell], everyone gets back to business as if they were work-slaving in a bank instead of battling global annihilation. Dark Phoenix is purported to be the endgame at Fox for the X series. But is it? Disney and Marvel are poised for a takeover. The film itself stays open-ended, pointing to the release next April of Fox’s The New Mutants. Plagued by delays and reshoots, the troubled production stars Turner’s GoT sister, Maisie Williams, as a Scottish mutant with the disturbing ability to morph into a wolf. Maybe a dash of Stephen King-type horror will help. But Dark Phoenix suggests the X-Men series is played out and beyond saving. Going through the motions is not the same thing as providing a thrilling and viable reason to go to the movies for another dose of X. Anyone for a mercy killing?
While not entirely successful, the film’s sense of finality gives the main players space to grow, unhampered by the usual carousel of upcoming sequels and spin-offs.
[SPOILER ALERT: This review contains spoilers.]
[SPOILER ALERT: This review contains spoilers.]
Which points us to the real issue with this film and so many like it. These super heroic and super histrionic spectacles are multiplying so rapidly that they are recycling their own tropes at such a rate that it is almost impossible to be surprised anymore.
Rather than being thought-provoking or streamlined, instead Dark Phoenix is a frustratingly anticlimactic, familiar tale of misunderstood mutants.
For all the energetic hurling around of heavy machinery, the movie feels inert and lazy.
The film is an all-too-fitting whimper of a conclusion to a franchise that never remotely fulfilled its potential.
Superheroes do progressive politics these days as a matter of course, and here it just feels like shtick – a box to be dutifully checked, rather than a theme to be meaningfully explored.
i feel very bad that this movie wasn’t great, really. i love jean and the x-men! they are my favorite marvel team! i will give a 10 just the score is too low
This is likely comparable to X-Men 3. Regrettably, it appears to be an unfinished mashup of many sequences. The acting was excellent, but the script was terrible, and Hans Zimmer, who I adore, delivered a really forgettable tune. Sorry to see such a successful series come to an end. I believe this movie was badly edited.
While it was entertaining to watch and I have liked X-Men movies for many years, the story itself was pretty simple and without much to it that would make it for great movie. It was entertaining as X-Men movies usually are but plot wise it was quite predictable
I'll be honest: I think this one is even worse than X-Men: Apocalypse. Not only is it a plot nonsense, but it laughs in the face of those who take into consideration the plot of the previous films, magically changing the characters' way of being, to highlight that of Professor X. A disgrace.
[SPOILER ALERT: This review contains spoilers.]
Production Company Twentieth Century Fox, Bad Hat Harry Productions, Donners' Company, Hutch Parker Entertainment, Kinberg Genre, Marvel Entertainment, TSG Entertainment
Is it worth watching X
While Dark Phoenix had several pushbacks and release delays, we should have know that this film would have turned out to be quite bad. Although Apocalypse wasn't the best X-Men film, it is better than Dark Phoenix. This film doesn't feel much like an X-Men but feels more like a soap opera drama.
Was Dark Phoenix any good?
Not awful, just humdrum. It's sort of like someone made a movie in the spirit of the first two X-Men movies, but did it today. Those movies were fine for their time, they were important, but we've moved on. So Dark Phoenix is pretty dull, and honestly more than anything just forgettable.
Why is Dark Phoenix saga so good?
Thanks to excellent writing, compelling and flawed characters, inspired and often-imitated artwork, and consequences so extreme they reshaped the entire franchise, The Dark Phoenix Saga remains a watershed moment in pop culture." Will Friedwald of Vanity Fair called "The Dark Phoenix Saga" one of the "classic comic ...
Is Dark Phoenix a good guy or bad guy?
Jean Grey upon her decent into evil as the Dark Phoenix. Dark Phoenix is a major antagonist of Marvel Comics. Dark Phoenix is the moniker bestowed upon Jean Grey following her entanglement with the Hellfire Club, which led to her transformation into a remarkably formidable supervillain.